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- Some Resources To Learn Capture One — Thomas Fitzgerald Photography
Capture one pro 12 essential training free.Capture One Pro 12 Essential Training
Simplicity is the most important UI quality. Not because we are dumb but because we have millions of other things in our lives to give energy to. Much of this reminds me of Aperture for DAM but with greater flexibility for organizing the workspace for different workflow tasks.
The Color Editor and Skin Tone are pretty nice along with the local adjustment masking without having to go to Photoshop.
The Capture One film presets look good but you can't add grain. Not a deal breaker but I would like the option. What really counts is that it is a superior RAW processor period. Michael, thank you! This is just what I needed! Have been playing around with Capture One this week and there are elements that I really like, but getting to grips with it properly will be much easier now! The webinar videos, while informative, are draaaaaaaged out and sleepy. I wish Lynda.
Basic Capture One training is free from us and I apologise for my sleepy webinar voice. Well, back in april I trialled 18 minute long webinars but the longer ones are more popular!
Personally, It is such a hog on my machine and I cant work effectively if things are lagging. I would be super curious to give this a go on a shoot but its not worth the added time and frustration This, mind you, is on a 6-core Phenom machine with 16 gigs of ram, plenty of storage, and an SSD drive as a scratch disk running Win 7 bit. Not sure why such a simple process was taxing the entire system.
C1 is incridbly powerful. My first experience was with C1 v6 and i discovered after i found Lightroom way too buggy and laggy when shootign tethered with my Canon. The interface intimidaed me but i liekd how my images looked so i persevered. Now i wouldnt look back. About the video: How to work connected to capture one.
Spanish with subtitles in English. Recommended software for this course Adobe Photoshop Capture One. Buy as a gift Redeem the course with a gift code. Add to a list. Even watching some of the live editing webinars you will find some god and useful information. My videos are probably a little more advanced, and perhaps not ideal for the absolute beginner, but I do try and cover things from a different perspective.
There are a few other places where you might go to get information on Capture One, and you should be a little wary of some of these. There are a few Capture One facebook groups, and I monitor a few of these, but some of them can be quite toxic. People ask a question about something, and then a Buch of responders either use it as a way to bash capture one, or attack the user for being stupid or something similar. If you do go to buy it, Capture One Pro is available in both subscription and perpetual licences available, in versions for all cameras , Fuji specific or Sony specific.
The Fuji and Sony versions only open raw files from cameras of the respective manufacturers, but other than that, they are identical to the full version. My answer is: "Well, that depends. Catalog vs. If you do decide to use a session for a temporary work area, such as sorting out a wedding or taking your laptop on vacation, remember you can use the Import Session command to incorporate the session into your catalog, if you need to. Even though I use catalogs the majority of the time, I do use sessions for my tethered shooting for product shots.
If I want to add those images to my catalog, I can. But generally speaking, I don't. And I was reminded of that joy again today while editing this grape image. I really like the unique variety in this bunch, something that I don't see often.
But there were also a few distracting elements that I knew I would have to address in post. Here's what it looked like before I started working on it. Not edited version of grape shot. One of the biggest distractions for be was the ugly leaf just to the right of the grapes.
In the old days, that would have guaranteed a trip to Photoshop. But the cloning and healing tools have improved a lot in Capture One. So I stayed home and addressed the issue there. I actually started with the healing brush first, then touched up with the clone tool.
Each on separate layers. I still have a bit more fine tuning to do, but it's coming along nicely. Here's a look at where I am now with the picture. You can see the layers listed on the left of the screen.
Editing in progress with the grapes. Another adjustment that I made was tandem radial screens for the grape bunch. The first radial screen excluded the grapes and worked like a sophisticated vignette. Then I copied the mask, inverted it, and brightened up the fruit a bit.
This is one of my favorite techniques. All in all, I have seven layers plus the background. They are very easy to manage, and quite powerful. This has been the year of making my workflows better, and one of the improvements that I wanted to make was increasing the efficiency of creating product shots for TheFilmCameraShop.
My theory was that using Capture One's excellent tethered capability would speed things up. And now that I've done it, I was right. Once the connection is made, the camera will appear in the Capture Tab where you have a myriad of options and controls.
You can either control the camera from the application, or as I do shoot with the camera using its shutter button and instantly view the image on the computer screen. The advantage of this is you're looking at a large, detailed rendering where you can inspect every detail on the fly and quickly before moving on to the next shot.
There are no surprises with tethered photography. One of the features that really helps speed up this workflow is the "Copy from Last" setting in the "Next Capture Adjustments. The application remembers those adjustments and applies them automatically to the next image.
It's fantastic. The speed of the shoot really picks up at this point. Take a picture, adjustments applied, review it, take the next picture.
I've set up my shooting bay next to the worktable with my iMac. It's super convenient. My capture camera is a Nikon D with a modified focusing screen that gives me a micro prism collar and matte surface. BTW: the Voigtlander is a great lens for this task. It has a CPU chip for the Nikon, focuses as close as , and has beautiful image quality.
But that feels like overkill for catalog product shots. Too bad, because my EM-1 Mark II with the 30mm macro would be a great capture device for this workflow as well. Aside from that disappointment, what I really like about this system is that when I'm done with the shoot, I'm done.
I've totally eliminated the post production step. I've just improved my efficiency for creating new catalog pages. One final note: Product photography isn't the most glamorous activity when you're a street photographer at heart. But I have to say, using the classic Nikon D with an upgraded SLR-style focusing screen and the beautiful Ulton 40mm lens that's as smooth as butter to operate, has made this otherwise mundane task quite enjoyable. Switching to tethered with Capture One Pro was the icing on the cake.
As photographers, much of our image publishing is via the Web, which usually means that we reduce the size of the original image before posting. In Capture One Pro, as we simultaneously export and reduce size sample down , we can also compensate for any loss of detail that happens as we prepare the file for publishing. In the export dialog box we can go to the Adjustments tab and set up Output Sharpening. Here's a look at that process.
I like that there are options for both screen and print. For example, if I know I'm going to print this image on matte paper, the output settings would be much different than those for gloss, or for a Web page for that matter.
If you're curious about how easy output sharpening can be in Capture One Pro, watch the movie at the top of this article. It's a solid introduction to this pro feature.
Some applications have some form of output sharpening, but very few provide the control that's available to you in Capture One Pro. I was never a layers guy. I wanted to be, but the software of the past just didn't resonate with me.
Then, not too long ago, Capture One Pro introduced layers into their photo management and editing app. Everything changed for me well, at least with layers anyway. The key for me was their making layers just another function of the toolset. If I want to work on a particular area, such as a sky or foreground, but I'm not sure how successful I will be, I create a layer. I start playing. If it works, it works. If it doesn't, no harm. I can always come back and fiddle with it later. The layers are available in all of the Tools panels.
I can start in Exposure for example. But if I go over to the Color panel, my layer is there as well. It's so easy, so logical. If you're curious about how fun and easy layers can be, watch the movie at the top of this article. It's just a brief introduction to this feature, but it will give you a good idea to what I'm talking about.
Take a look at that video and see why. I know that you've likely heard this from others as well, but maybe you just haven't had time to try it for yourself. Nose around a bit with the application, watch some of the free Phase One videos, get a feel for the environment. Create a folder of images that you can use for your test library. I recommend a combination of RAW files and Jpegs from a variety of scenes.
Make this a completely different folder in your Pictures directory so that it doesn't get confused with the source material for other apps. Start from the beginning with my latest online training and follow along with your own images or download the asset catalog that comes with the training.
Both trainings are the same and begin with a What's New section, a discussion on the app's strengths and weaknesses, and a simplified typical workflow to help you get off to a fast start. Once you start to feel a bit more comfortable with the software, I delve into basic color and exposure adjustments, optical fine tuning, layers and masks, more sophisticated color controls, managing your catalog, and efficiency tips. If you love getting the most out of your RAW files and appreciate a logical image management catalog system, then this might be the time to take a serious look at Capture One Pro 20, and see what you think.
My guess is that you will find it time well spent. Phase One had announced earlier this week that they were the first to provide RAW support for the two new Fujifilm cameras. The app recognized the lens and allowed all of the lens corrections including CA, Distortion, diffraction correction, light falloff, and sharpness. And the RAW files were very editable, including excellent highlight and shadow recovery.
Just a note on film simulations: C1P allows you to apply any of them, including Velvia, Provia, Acros, etc. So as long as you captured the image in RAW, all of your Fujifilm options are always available. The particular simulations that show up in C1P are based on the camera you used. If you're a Fujifilm photographer, and especially if you have one of their new cameras, Capture One Pro 20 RAW processing is definitely worth a look.
There are those times when you want to share a collection of images without tapping a 3rd party web service. One excellent option is Capture One's electronic contact sheet. Once you create an electronic contact sheet, you can put it on a flash drive, embed it on a web page, and even make a hard copy print. In this short video, you can see how to make one for yourself. Electronic contact sheets are one of those tricks that you can keep in your back pocket for those times when you want to deliver a gallery on a flash drive or some other non-web-service approach.
Plus, they are quite attractive. You can learn all the ins and outs of this amazing software in the comfort of your home, or even on your smartphone by watching my fast-paced training: Capture One Pro 12 Essential Training on LinkedIn Learning. If you're a lynda.
You will learn everything from image organization, to expert editing, to output and more. It will feel good to finally take control of your photo library with Capture One Pro It's available near the top of the View menu. It allows you to quickly control what you see in the thumbnail browser. This is from my essential training on LinkedIn Learning and lynda. There's also a cautionary note: Global Filters are sticky, so if you find files missing, that's probably the reason why!
This is just one of the many techniques that I cover in this course. Other topics include peppered with inside tips :. For those of you new to this application, I have a Quick Start chapter that gets you up and running in less than 20 minutes. Yes, that's the entire workflow, start to finish, in less than half an hour. You can learn all the ins and outs of this amazing software in the comfort of your home, or even on your smartphone by watching this fast-paced training: Capture One Pro 12 Essential Training on LinkedIn Learning.
You can squeeze every drop of quality from your optics in Capture One Pro 12 by tapping the Lens Correction panel before editing your shot. Here you can enable profiles for your optics, adjust distortion, reduce light falloff, and even correct for diffraction. Combine this capability with a good RAW file, and you can enjoy amazing image quality as a result.
In this 4-minute video, I walk you through the steps for maximizing optical performance in Capture One Pro I don't apply Diffraction Correction to every image, only those where I think it's appropriate or can improve an important photograph.
It does use extra processing power, so I save it for those pictures that really count. If you want to stretch beyond the limitations of the vignette tool in Capture One Pro 12, I recommend getting familiar with the new radial mask option. It's far more flexible and powerful, yet you can learn how to use it in just 3 minutes. Here's a video to show you how. The way that I approached editing the portrait in this video was by creating two radial masks on two different layers.
The first one was designed to lighten the tones on the subject's face. The second mask, on another layer, darkened the tones for the background. By having two masks on different layers, I had complete control over the relationship between the compositional elements. And because it's so easy to do, I could build this effect in just minutes. You can use the masks for more than just tones as well. I can adjust colors, clarity, and other aspects of the photo.
Again, this is so much more powerful than a basic vignette tool. The latest version of Capture One Pro 12 is my favorite to date. Among the many new features, I love the way it handles luminosity masking. I can finally get my head around this useful image adjustment.
And there's so much more in this update. And I cover all the cool stuff. The software we have on the backend can help free us from cumbersome equipment at capture. One example is my "weekend kit" that I carry with me when out and about with family and friends. In one pocket, I have an iPhone X for all the usual reasons. And in the other, I often carry the Fujifilm XF Even though it fits in my front jeans pocket, it sports a lovely Fujinon aspherical lens and an APS-C image sensor.
Plus it communicates with the iPhone to record location data as I shoot. I love geotags! RAF file with the simple press of a button the the back of the camera. By doing so, I have all of my options available to me later in post production. Once I return home, I have a specific workflow that helps me maximize the content that I've captured in the field. This latest version does a great job with Fujifilm RAW files, pulling out all of the color and detail.
Plus, while I'm there, I can fine tune the image a bit with the new Luminosity mask or a graduated screen. There are lots of things that I could do at this point. And to be honest, this is where most photographers will diverge from my workflow. But I'm going to tell you anyway. The image is automatically backed up and propagated to all of my devices.
I can use it right away for Flickr, Instagram, Facebook, etc. Plus, I have the good feeling of knowing that my favorite work is archived without any further effort on my behalf. The other reason is because the Luminar 3 editing extension is just so darn good.
The finishing touches I apply with that app really make a difference, and the changes are automatically saved to the images in iCloud. Side Note: Luminar 3 is on sale for 29 percent off through Feb. The rest of the images are backed up traditionally via hard drive in Capture One. But those favs You learn all the ins and outs of Luminar via my Essential Training on lynda. It's fun, and I promise, you will improve your shots.
You can also tune in on lynda. Stay tuned. It's no secret. The vignette tool in Capture One Pro left plenty to be desired. But with the release of version 12, we now have the Radial Gradient Mask.
And suddenly, we have much better control for creating a vignette effect. Standard vignette in Capture One Pro. This course date is in the past. Please get in touch if you have any queries about this course. Book this course. Course Contents No matter what your interest or level in photography there is something for everyone on this course.
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